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DON ROSS

Don Ross guitar and the Ellis Stompbox

www.gobyfish.com

Don Ross has emerged as one of the most respected musicians in Canada and one of the top guitarists in the world. In September 1996, he managed to do what no other player has done: win the prestigious U.S. National Fingerstyle Guitar Championship for the second time (he first won in 1988). The competition, held yearly in Winfield, Kansas, cannot be won only with immaculate technique, but the player's music must also display a high degree of emotion and intensity — hallmarks of Don's style. The son of a Scottish immigrant father and a Mi'kmaq aboriginal mother, Don was born in Montreal in 1960 into a musical family. He first started experimenting with the solo possibilities of the acoustic guitar at the age of eight. By age ten he was playing in alternate tunings and exploring "fingerstyle" technique, a right hand discipline similar to classical guitar playing. Preferring to write original music and develop a personal style, Don's self-taught journey on the instrument has encouraged him to follow his musical intuition. The result is an unclassifiable musical style that borrows from jazz, folk, rock and classical music. Don signed a new recording deal with Columbia/Sony Music in 1994, releasing his first album for the label, This Dragon Won't Sleep, in 1995. In the fall of 1996 Don released Wintertide, an instrumental album of traditional Christmas tunes played in his trademark style. Lynn Saxberg of the Ottawa Citizen called the CD a "masterpiece," and the public response was no less enthusiastic. Don's next record, Loaded. Leather. Moonroof. was released in November, 1997. The album "...is a further exploration for a rich sense of harmony and groove," according to Don. The CD treats Don's listeners to a compilation of diverse sounds that reflects his influence by all types of music. On this album, Don passionately plays the six-string and seven-string guitars as well as the dobro. He is often accompanied by several other musicians whom all add their specialty. Don considers the first track, "Loaded. Leather. Moonroof." one of the most powerful tunes he has recorded to date, due partly to a great solo by bassist Mark Egan, who asked to play with Don that year.

don ross music, don ross acoustic

Don's Passion Session CD, recorded in Berlin's Passionskirche, was released in March 1999 on Narada/Virgin Records. The recording brings Don back to his roots as a solo fingerstyle guitarist, as he produces his first totally solo album ever for Narada's Masters of Acoustic Guitar series. Don got the news of the offer of a new contract with Narada while on tour in Germany in November 1998. The eleven tracks on Passion Session comprise some of the best pieces for solo guitar that Don has composed. Nine brand new titles (written mostly while touring in Europe) are complemented by Don's own "First Ride" (a perennial favourite with his fans and now brought to a wider audience), and David Essig's classic "Berkley Springs."

don ross acoustic guitarist, don ross guitar, stompbox

Don's next recording, Huron Street (released in 2001), is comprised of 12 new performances of pieces already familiar to his fans in Canada. Since the tunes originally appeared on CDs that were only ever released in Canada, Don decided to make some of his favourite earlier pieces available to the wider audience he reaches through his association with Narada Records. All 12 performances are new, each taking a unique twist on the tunes: some of these have appeared before as ensemble pieces and are now captured solo. Two pieces that were originally recorded solo are now presented as duets with amazing upright bassist Jordan O'Connor. Certain compositions originally recorded on the standard guitar are now played on the baritone. The reaction has been very positive, with Huron Street reaching the Top Ten on Billboard's New Age chart in the summer of 2001.

don ross music, don ross acoustic

On Robot Monster, Don includes some of his trademark urban-music inspired tuned for solo acoustic guitar, as well as several collaborative efforts. Three of the tunes on the new CD were co-composed with Berlin-based composer Christoph Bendel. The two started to collaborate after Christoph sent an example of a remix that he had made of Don's tune "So Little Time" from his Passion Session CD of 1999. Christoph's father Knut Becker was the recording engineer for Passion Session, and Christoph had brilliantly taken snippets of the recording and remixed them into a very funky groove. For Don, it was love at first listen. Despite being based 7,000 miles apart, the two musicians collaborated on a total of three tunes for the new CD: "So Much Time", "I Think of You", and "Oh Baby". The result is one of Don's funkiest CDs to date, and certainly one to appeal to a whole new group of listeners. "Being able to record this album in my home studio and really take my time with things made the creative process on this album quite possibly the most interesting yet for me personally," says Don. "If I felt inspired at two in the morning, I could simply roll out of bed, grab my guitar, and start creating. It's liberating not to have the meter running, or to feel like you're eating up somebody else's time. Thank goodness for all the advances in computer recording technology in the last few years. It has helped make an album like Robot Monster possible."

don ross music, don ross acoustic

Don has recently signed a new recording deal with new US-based independent label Candyrat Records. Music for Vacuuming is, with the exception of one track, a completely solo affair. Don plays several solo guitar tunes, including the acoustic rocker "How to Eat and Avalanche," the Brazilian-influenced "Never Got to Pernambuco," and even a tune ("Fleetstep Choreography") that he learned at the age of 14 from the guitar teacher he had back then, jazzer Steven Cole. But the album also features some ensemble playing, with Don playing all the instruments thanks to the wonder of multitrack recording! Don plays drum kit, percussion, slide dobro guitar, piano, and electric bass in addition to regular-pitched and baritone guitars on some tracks. The album also features a beautiful remix collaboration with Hamburg-based musician Silas Olischlaeger ("Dracula II Mikrokosmos").

don ross acoustic guitarist, don ross guitar, stompbox

Don’s new release, Live in Your Head, is a collection of some of the best live recordings that he has put together and mixed in the years spanning 2001-2006. Some of the performances are solo and some are with such terrific Toronto-area guest musicians as Jordan O’Connor, Andrew Craig, Colleen Allen, Craig Harley, Nick Fraser and Matthew Shawn Fleming. Taking such a long time to assemble a record affords the listener a great retrospective of older and newer tunes, all performed in Don’s slightly dangerous live style where almost anything can and does happen. Often the collaborative tunes turn into lusciously long jams, and the solo tunes are played with the electric immediacy Don’s live performances are known for. Don continues to do extensive touring in Europe, Canada, the United States and Asia's Pacific Rim. When he's not on the road, he lives a quiet life with his family in a small village in southern Ontario, Canada

Don Ross & Andy McKee : The Thing that came from Somewhere

© CandyRat Records / Andy McKee / Don Ross 2008

After several years of digging each other's music, touring together in Canada, the US & Europe, and becoming great friends, Don Ross and Andy McKee have decided to join forces for a new duo recording on Candyrat Records entitled, "The Thing That Came From Somewhere".

The new cd includes duets versions of five familiar tunes composed by each guitarist, two duet arrangements of compositions by Russell Ferrante and Mike Marshall, and two solo tracks by each of Don and Andy for a total of 11 great performances.


As a quality Australian guitar luthier in Perth, Western Australia Andrew Ellis of Ellis Guitars blends traditional old-fashioned handcraft with the latest technology to produce sweet sounding custom hand made guitars. Steel string dreadnought, 000, jumbo, OM, small jumbo, L1, Jumbo, Weissenborn, Left Hand Guitars and Lap Steel models, wood body and metal body resonators and custom wood and timber stomp boxes are all hand crafted and handmade. A combination of international solid timbers renowned for acoustic and sound-producing qualities, temperature and humidity controlled environments, attention to colour matching and design, and patient awareness of the delicate processes of manufacture including wood tuning, thicknesses, bracing and finishing techniques guarantee beauty and quality.