DON ROSS
www.gobyfish.com
Don Ross
has emerged as one of the most respected musicians in Canada and one of the top guitarists
in the world. In September 1996, he managed to do what no other player has done: win the
prestigious U.S. National Fingerstyle Guitar Championship for the second time (he first
won in 1988). The competition, held yearly in Winfield, Kansas, cannot be won only with
immaculate technique, but the player's music must also display a high degree of emotion
and intensity — hallmarks of Don's style.
The son of a Scottish immigrant father and a Mi'kmaq aboriginal mother, Don was born in
Montreal in 1960 into a musical family. He first started experimenting with the solo
possibilities of the acoustic guitar at the age of eight. By age ten he was playing in
alternate tunings and exploring "fingerstyle" technique, a right hand discipline similar
to classical guitar playing. Preferring to write original music and develop a personal style,
Don's self-taught journey on the instrument has encouraged him to follow his musical
intuition. The result is an unclassifiable musical style that borrows from jazz, folk, rock
and classical music. Don signed a new recording deal with Columbia/Sony Music in 1994, releasing his first album
for the label, This Dragon Won't Sleep, in 1995. In the fall of 1996 Don released Wintertide,
an instrumental album of traditional Christmas tunes played in his trademark style. Lynn
Saxberg of the Ottawa Citizen called the CD a "masterpiece," and the public response was no
less enthusiastic.
Don's next record, Loaded. Leather. Moonroof. was released in November, 1997. The album
"...is a further exploration for a rich sense of harmony and groove," according to Don. The
CD treats Don's listeners to a compilation of diverse sounds that reflects his influence by
all types of music. On this album, Don passionately plays the six-string and seven-string
guitars as well as the dobro. He is often accompanied by several other musicians whom all
add their specialty. Don considers the first track, "Loaded. Leather. Moonroof." one of the
most powerful tunes he has recorded to date, due partly to a great solo by bassist Mark Egan,
who asked to play with Don that year.
Don's Passion Session CD, recorded in Berlin's Passionskirche, was released in March 1999
on Narada/Virgin Records. The recording brings Don back to his roots as a solo fingerstyle
guitarist, as he produces his first totally solo album ever for Narada's Masters of Acoustic
Guitar series. Don got the news of the offer of a new contract with Narada while on tour in
Germany in November 1998. The eleven tracks on Passion Session comprise
some of the best pieces for solo guitar that Don has composed. Nine brand new titles
(written mostly while touring in Europe) are complemented by Don's own "First Ride"
(a perennial favourite with his fans and now brought to a wider audience), and David
Essig's classic "Berkley Springs."
Don's next recording, Huron Street (released in 2001), is comprised of 12 new performances
of pieces already familiar to his fans in Canada.
Since the tunes originally appeared on CDs that were only ever released in Canada,
Don decided to make some of his favourite earlier pieces available to the wider audience
he reaches through his association with Narada Records. All 12 performances are new, each
taking a unique twist on the tunes: some of these have appeared before as ensemble pieces
and are now captured solo. Two pieces that were originally recorded solo are now presented
as duets with amazing upright bassist Jordan O'Connor. Certain compositions originally
recorded on the standard guitar are now played on the baritone. The reaction has been very
positive, with Huron Street reaching the Top Ten on Billboard's New Age chart in the summer
of 2001.
On Robot Monster, Don includes some of his trademark urban-music inspired tuned for solo
acoustic guitar, as well as several collaborative efforts. Three of the tunes on the new CD
were co-composed with Berlin-based composer Christoph Bendel. The two started to collaborate
after Christoph sent an example of a remix that he had made of Don's tune "So Little Time"
from his Passion Session CD of 1999. Christoph's father Knut Becker was the recording engineer
for Passion Session, and Christoph had brilliantly taken snippets of the recording and
remixed them into a very funky groove. For Don, it was love at first listen. Despite being
based 7,000 miles apart, the two musicians collaborated on a total of three tunes for the new
CD: "So Much Time", "I Think of You", and "Oh Baby".
The result is one of Don's funkiest CDs to date, and certainly one to appeal to a whole new
group of listeners. "Being able to record this album in my home studio and really take my
time with things made the creative process on this album quite possibly the most interesting
yet for me personally," says Don. "If I felt inspired at two in the morning, I could simply
roll out of bed, grab my guitar, and start creating. It's liberating not to have the meter
running, or to feel like you're eating up somebody else's time. Thank goodness for all the
advances in computer recording technology in the last few years. It has helped make an album
like Robot Monster possible."
Don has recently signed a new recording deal with new US-based independent label Candyrat
Records. Music for Vacuuming is, with the exception of one track, a completely solo affair. Don plays
several solo guitar tunes, including the acoustic rocker "How to Eat and Avalanche,"
the Brazilian-influenced "Never Got to Pernambuco," and even a tune ("Fleetstep Choreography")
that he learned at the age of 14 from the guitar teacher he had back then, jazzer Steven Cole.
But the album also features some ensemble playing, with Don playing all the instruments thanks
to the wonder of multitrack recording! Don plays drum kit, percussion, slide dobro guitar,
piano, and electric bass in addition to regular-pitched and baritone guitars on some tracks.
The album also features a beautiful remix collaboration with Hamburg-based musician Silas
Olischlaeger ("Dracula II Mikrokosmos").
Don’s new release, Live in Your Head, is a collection of some of the best live recordings that
he has put together and mixed in the years spanning 2001-2006. Some of the performances are
solo and some are with such terrific Toronto-area guest musicians as Jordan O’Connor, Andrew
Craig, Colleen Allen, Craig Harley, Nick Fraser and Matthew Shawn Fleming. Taking such a long
time to assemble a record affords the listener a great retrospective of older and newer tunes,
all performed in Don’s slightly dangerous live style where almost anything can and does happen. Often the collaborative tunes turn into lusciously long jams, and the solo tunes are played with the electric immediacy Don’s live performances are known for.
Don continues to do extensive touring in Europe, Canada, the United States and Asia's Pacific
Rim. When he's not on the road, he lives a quiet life with his family in a small village in
southern Ontario, Canada
Don Ross & Andy McKee : The Thing that came from Somewhere
© CandyRat Records / Andy McKee / Don Ross 2008
After several years of digging each other's music, touring together in Canada, the US & Europe, and becoming great friends, Don Ross and Andy McKee have decided to join forces for a new duo recording on Candyrat Records entitled, "The Thing That Came From Somewhere".
The new cd includes duets versions of five familiar tunes composed by each guitarist, two duet arrangements of compositions by Russell Ferrante and Mike Marshall, and two solo tracks by each of Don and Andy for a total of 11 great performances.
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